The song is 33 years old now, but it's resonance is just as powerful today as it was when it was written, if not more so. “Screen door slams, Mary's dress waves,” Springsteen begins, “like a vision she dances across the porch as the radio plays, Roy Orbison singing for the lonely, Hey, that's me and I want you only, don't send me home again, I just can't face myself alone again.” Compared to other songwriters of his day, or of any day, Springsteen evoked a sense of the literary, that this was a story unfolding, not a mere pop-song confession, or worse, confection.
One can pick almost any line of that song and admire its grace and grit, and the sort-of-recent reissue of the album had music journalists across the world examining the lyric sheet like a cypher, so I'll refrain from a start-to-finish analysis. The line that stuck in my head as I lay in the dawn's early light was the odd romantic overture offered at the end of the first verse:
“...you ain't a beauty but hey, you're alright, and that's alright with me.”Awwwww, isn't that sweet? Doesn't every young damsel dream of the day that her knight in chrome wheels will pull up to the door and profess, “Yeah, you'll do”?
Of course, the song's hero is no kinder to himself, proclaiming, “Now I'm no hero, that's understood, the only redemption I can offer, girl, is beneath this dirty hood.” And with that, the strength of the song is sealed and the unkindness of the blunt physical description is put in perspective---the only way to beat the game is to play the game, and it's not just beauty queens and hometown heroes who are allowed to take a seat at the table.
Again, it is a thoroughly American song, about throwing one's hat in the ring and pulling one's self up by the boot straps, a sentiment that serves as a precursor to the Outkast line that followed 23 years later, “I wanted a piece of the pie for me and my family, so I made it.” Thunder Road celebrates the self-confident spirit that has driven this nation, that the roads lead to the same places no matter who is behind the wheel and victory goes to those who stop dreaming and start driving.
It's a brilliant song, and if there's anyone out there who has never heard it, you are missing out on something special. (The entire album is a masterwork.)
Unfortunately, I'm not thinking about the song this morning so much as that single line---did I sing it aloud in my sleep? Did my wife hear my warbling croon and think, “Yeah, well you're no George Clooney either, pal”? If my wife is inexplicably moody this week, I think I'll know why. Goddam Bruce.